Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2023) The role of public art in forging hybrid ‘realist-modernist’ architecture and public spaces in the GDR. In: Matrix Modern East European Modernism. Kunstsammlung Chemnitz, Chemnitz. ISBN 978-3-98501-179-7 (Submitted) |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2021) The role of public art in forging hybrid ‘realist-modernist’ architecture and public spaces in the GDR. In: Building, Art-in-Architecture and Design in Eastern Germany and Europe in the Post-War Era: International two-day conference for researchers, scientists, artists, citizens, cultural politicians and activists, 1st–2nd October 2021, Stadthalle, Chemnitz, Germany. Item availability may be restricted. |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2020) Picturing Socialism: the Art and Design of East Germany’s Public Spaces. Bloomsbury Visual Arts . Bloomsbury Academic, London. ISBN 9781350067141 Item availability may be restricted. |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2019) Tractor drivers, mothers and nudes: decoding the feminine in East German public sculptures. In: Decoding Dictatorial Statues. Onomatopee . Onomatopee, Eindhoven. ISBN 978-94-91677-98-4 |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2019) As good as apple pie? Post-unification Germany and the reception of public art from the former German Democratic Republic. In: Design, History and Time. New Temporalities in a Digital Age. Bloomsbury Visual Arts . Bloomsbury, London, pp. 51-63. ISBN 9781350060654 |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2018) “Poster Designer Paul Brühwiler and the Myth of Swiss Design.”. In: UNSPECIFIED Falmouth University, Falmouth, Cornwall.. |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2017) “Artist, Teacher, Socialist.” Catalogue essay for Dietrich Blodau Retrospective, Hunt Museum, Limerick, Ireland. In: Dietrich Blodau: A Life of Observations. Hunt Museum Ireland, Limerick, Ireland.. ISBN ISBN 978-1-9998693-0-4 |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2016) To utopia and back again: appropriating the heritage of the avant garde in environmental design in the German Democratic Republic in the 1960s. In: “How We Live, and How we Might Live": Design and the Spirit of Critical Utopianism, Sept 11–13, 2015, California College of the Arts. (Unpublished) |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2016) “Like motherhood or apple pie”: how East German public art and design has served the myth of a united Germany. In: Design and Time: Design History Society Annual Conference 2016, 8th-10th September 2016, University of Middlesex. (Submitted) Item not available from this repository. |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2016) The Work of Swiss poster designer Paul Brühwiler and the Swiss National Design stereotype. In: „Von Weltformat“ Das Schweizer Plakat aus historischer und bildwissenschaftlicher Perspektive, 03.06.2016 – 04.06.2016, Eikones – NFS Bildkritik Rheinsprung 11 CH-4051 Basel. |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2015) One day symposium Graphic Designers Research. In: One day symposium Graphic Designers Research, 20th November 2015, Falmouth University. (In Press) |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2015) Graphic Designers Research | Falmouth University | Nov 20th 2015. Concept and Curation: Dr. Jessica Jenkins. [Conference] |
Jenkins, Jessica (2015) A System of joyful colour and its disruptions: Architectural Colour in the German Democratic Republic. Architectural Theory Review, 19 (2). pp. 221-242. ISSN 1326-4826 |
Jenkins, Jessica ORCID: https://orcid.org/0000-0003-2295-5871 (2012) Building the Revolution: Soviet Art and Architecture, 1915–1935. Design Issues, 28 (4). pp. 86-92. ISSN 0747-9360 |