Hargreaves, Jon ORCID: https://orcid.org/0000-0002-6230-8436 (2017) Notes from the Podium of an Online Orchestra. Journal of Music, Technology and Education, 10 (2-3). pp. 277-287. ISSN 17527066
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Abstract / Summary
Online Orchestra placed significant demands on its conductor, with a role that included rehearsing and directing remote musicians over the Internet. This article presents a first-hand reflective account from the conductor of Online Orchestra, including details of trials, rehearsals and the final performance. Practical considerations such as conducting technique, visual framing and ensemble seating are considered, as are reflections on conducting in a latency-rich environment. This leads to the conclusion that many traditional approaches to conducting apply in telematic performance, and the suggestion that there is significant scope for musicians to learn and grow in ability when making music online.
Item Type: | Article |
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Identification Number: | 10.1386/jmte.10.2-3.277_1 |
Additional Information: | Jonathan Hargreaves was the conductor of the Online Orchestra and employed on a self-employed basis by Falmouth University for this role. |
Uncontrolled Keywords: | Online Orchestra; telematic performance; conducting; rehearsing; latency; eye contact |
ISSN: | 17527066 |
Subjects: | Communication > Media > Digital Media Education Music > Musical Performance |
Courses by Department: | Academy of Music & Theatre Arts > Music |
Depositing User: | Michael Rofe |
Date Deposited: | 23 Jan 2018 10:57 |
Last Modified: | 11 Nov 2022 16:30 |
URI: | https://falmouth-test.eprints-hosting.org/id/eprint/2798 |
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