Items where Division is "Music"

Number of items at this level: 130.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2024) J.Lynch - Brythonic Problem, Live. [Performance] (Unpublished)
[thumbnail of JLynch_ElectronicSymposium2_Mar24.zip] [thumbnail of Musicians performing]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2023) Noise Drawing No.4. [Performance]
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Parker, Will ORCID logoORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2023) POST- ensemble: workshop and performance at the 'Electronics Symposium'. [Performance]
[thumbnail of Footage of the POST- performance at the Electronics Symposium]
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[thumbnail of Score for POST- workshop at the Electronic Symposium]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2023) Sounding the Museum. In: DRHA Conference 2023, 10-13 September 2023, Turin, Italy.
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2023) Audiovisual Music Production: Influence of the Natural World on Process and Works. [Project]
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2023) Through the Periscope: Microphone Character in Creative Studio Production. In: Innovation in Music 2023 Conference, 30 June - 02 July, Edinburgh Napier University. (Unpublished)
[thumbnail of In Music 2023 Periscope]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2023) J.Lynch - Work of Progress & Etudes. [Composition]

Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2022) Morello and Mimesis: Genre Signifiers and Political Commentary. In: 13TH INTERNATIONAL SYMPOSIUM “MUSIC IN SOCIETY”, 7th-10th December 2022, Sarajevo, Bosnia and Herzegovina. Item availability may be restricted.
[thumbnail of Morello and Mimesis_Sam Murray.pdf]

Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2022) Conjuring Sound: Mimesis and Guitar Virtuosity. In: Psychology and Music – Interdisciplinary Encounters, October 26th-29th 2022, Belgrade, Serbia. Item availability may be restricted.
[thumbnail of Mimesis and Guitar Virtuosity_Sam Murray.pdf]

Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2022) Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986). In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania. (Unpublished) Item availability may be restricted.
[thumbnail of Layers of Virtuosity_Sam Murray.pdf]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2022) Noise Drawings 1, 3, & 2. [Performance]
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Stevens, Frankie ORCID logoORCID: https://orcid.org/0000-0002-6178-6778 (2022) Abyssal Noise: Representations of Death and Dying in Extreme Metal Music. In: Embodying the Music and Death Nexus: Consolations, Salvations, Transformations. Emerald Interdisciplinary Connextions . Emerald Publishing, London, England.. ISBN ISBN : 1-80117-766-X ISBN : 9781801177672
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Slater, Tom (2021) Drone Technologies and Dis/embodied Spaces: A practice-based enquiry into human-drone relationships through audiovisual art installation. Doctoral thesis, Falmouth University / University of the Arts London.
[thumbnail of Tom Slater PhD Thesis_final submission_24-11-21.pdf]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2021) J.Lynch The Tender Appropriation. [Composition]
[thumbnail of composition, production and text in form of cassette, A5 book, and download.]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2021) The Tender Appropriation. Difficult Art and Music, Bandcamp physical release. ISBN N/A Item availability may be restricted.
[thumbnail of A miniature book that accompanies and explicates in part, the compositions of this project]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304 and Wilson, Arthur (2021) Autopia: An AI collaborator for live networked computer music performance. In: 2nd Conference on AI Music Creativity (MuMe + CSMC), July 18-22 2021, Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz, Austria.
[thumbnail of AIMC2021 paper CameraReady.pdf]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2021) The Politics of Medium Specificity. In: The Politics of Medium Specificity, 5 May, 2021, Centre for the Study of the Networked Image, London South Bank University.
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2021) Music and contemporaneity: Temporality and scale in a globalised present. In: BSA Annual Conference 2021 - Remaking the Future, 13-15 April, 2021, Online.
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.
[thumbnail of Submitted conference paper that was accepted for Routledge book chapter publication. For MOCK REF review only.]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2020) Lac Bugs, Petrocapitalism, and Data: ‘Mediatic Musicology Without Music’. Journal of Media Art, Study and Theory, 1 (2). pp. 264-273. ISSN na
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Stevens, Frankie (2020) Blackened Audiotopia: Privatised Listening and Urban Experience. Metal Music Studies Journal, 6 (2). pp. 161-174. ISSN 2052-4005 Item availability may be restricted.
[thumbnail of MMS 6.2_Stevens.pdf] [thumbnail of Blackened audiotopia[1].pdf]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2020) Dark Sound: Feminine Voices in Sonic Shadow. Ex-centrics . Bloomsbury, New York. ISBN 9781501325809 (In Press) Item availability may be restricted.
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Hilmi, Adem ORCID logoORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition]
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Slater, Tom (2019) Illusory Contours. [Media] (In Press)
[thumbnail of Audiovisual installation - laser projection, video projection, 3rd order ambisonics.]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition] Item availability may be restricted.
[thumbnail of REF Portfolio]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.
[thumbnail of __MACOSX/AcrossVoidsMedia/._SWCTN_LORWAY.pdf] [thumbnail of Audio Visual Media and a contextual document]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2019) J.Lynch - Skipholt 31. [Composition] Item availability may be restricted.
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Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted.
[thumbnail of The Crackle of Contemporaneity Cox, Prior, and Nolan FoC draft.pdf]

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Beyond 'Theory' and 'Practice' in Artistic Research. In: Theorem. Ruskin Arts Press, Cambridge. ISBN 9781912319008 Item availability may be restricted.
[thumbnail of Beyond 'Theory' and 'Practice' in Arts-based Research[2].pdf]

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Review of Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Leonardo, 52 (3). ISSN 0024-094X
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2019) Dead Animals Ontologies of recorded songs through the analogue of taxidermy. Performance Research, 24 (1). pp. 115-119. ISSN 1352-8165
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Is “New Music” Contemporary Art? In: Biennial Conference of the Royal Musical Association's Music and Philosophy Study Group, 11-12 July, 2019, King's College London.
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198
[thumbnail of https://www.routledge.com/Innovation-in-Music-Performance-Production-Technology-and-Business/Hepworth-Sawyer-Hodgson-Paterson-Toulson/p/book/9781138498198]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Jarvis, Matthew, Wilson, Arthur, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304 and Speakman, John (2019) Autopia: An AI Collaborator for Gamified Live Coding Music Performances. In: Society for the Study of Artificial Intelligence and Simulation of Behaviour Convention, Falmouth University.
[thumbnail of AISB2019_Live_Coding_Game.pdf]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Can Music be Contemporary? In: Time, History and Materials, 26 January, 2019, Canterbury Christ Church University.
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Wiggins, Trevor, Sanderson, Griselda, Denyer, Frank, Laws, Catherine and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Musical Arts at Dartington. Theatre, Dance and Performance Training, 9 (3). pp. 393-395. ISSN 1944-3927
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Postcard: Site-Specific Music at Dartington. Theatre, Dance and Performance Training, 9 (3). p. 398. ISSN 1944-3927
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2018) J.Lynch - Extended Play. [Composition]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)
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Hall, John and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165
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Stevens, Frankie (2018) Defining Doom Through Women's Experience: Deterritorialising Doom Metal Signifiers. In: ISMMS/PSN Doing Metal, Being Punk,Doing Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 13-14 December 2018, De Montford University.
[thumbnail of Basis of the paper which was expanded upon.]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition] Item availability may be restricted.
[thumbnail of Score for Willow]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2018) Beyond the dichotomy of 'theory' and 'practice' in artistic research. In: Theorem 2018, Cambridge School of Art.
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2018) The Blackened Affect: Affect and Production in Black Metal. In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK.
[thumbnail of TheBlackenedAffect_Crosstown_Traffic_2018_Presentation_Saario.pdf]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget (2018) Weaving intuitive illegitimate improvisation. Liminalities: Unforseen Encounters, 14 (1). pp. 90-109. ISSN 1557-2935
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Rofe, Michael, Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 and Parker, Will (2017) Online Orchestra - Connecting Remote Communities through Music. Journal of Music, Technology and Education, 10 (2-3). pp. 147-166. ISSN 17527066 Item availability may be restricted.
[thumbnail of Online Orchestra - Connecting Remote Communities through Music] [thumbnail of s2 Connecting remote communities.pdf]
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Rofe, Michael and Reuben, Federico (2017) Telematic Performance and the Challenge of Latency. Journal of Music, Technology and Education, 10 (2-3). pp. 167-184. ISSN 17527066
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X, Reuben, Federico, Biscoe, Ian and Rofe, Michael (2017) Designing a System for Online Orchestra - Computer Hardware and Software. Journal of Music, Technology and Education, 10 (2-3). pp. 185-196. ISSN 17527066
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Rofe, Michael, Biscoe, Ian and Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2017) Designing a System for Online Orchestra - Peripheral Equipment. Journal of Music, Technology and Education, 10 (2-3). pp. 197-212. ISSN 17527066
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Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186, Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Rofe, Michael (2017) Designing a System for Online Orchestra - Microphone Evaluation and Cost-Benefit Analysis. Journal of Music, Technology and Education, 10 (2-3). pp. 213-230. ISSN 17527066
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Rofe, Michael and Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 (2017) Composing for a Latency-Rich Environment. Journal of Music, Technology and Education, 10 (2-3). pp. 231-256. ISSN 17527066
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Rofe, Michael, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 and Hodsdon, Laura ORCID logoORCID: https://orcid.org/0000-0002-0817-4852 (2017) Experiencing Online Orchestra - Communities, Connections and Music-Making through Telematic Performance. Journal of Music, Technology and Education, 10 (2-3). pp. 257-276. ISSN 17527066
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Hargreaves, Jon ORCID logoORCID: https://orcid.org/0000-0002-6230-8436 (2017) Notes from the Podium of an Online Orchestra. Journal of Music, Technology and Education, 10 (2-3). pp. 277-287. ISSN 17527066
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) The Network as Niche. Journal of Music, Technology and Education, 10 (2-3). pp. 289-303. ISSN 17527066
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Rofe, Michael and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) Online Orchestra - Special Issue of Journal of Music, Technology and Education. [Journal] Item availability may be restricted.
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

Stevens, Frankie (2017) The Women of Doom: An Ethnographic Study of Women's Experience in Doom Metal. In: ICTM/SMI Annual Postgraduate Conference, 19-20 January 2018, University of Maynooth, Ireland..
[thumbnail of The basis of the presentation which was expanded upon.]
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2017) Public Dreaming: Europe. Almost. A Fantasy. [Composition] Item availability may be restricted.
[thumbnail of Public Dreaming: Europe. Almost. A Fantasy.] [thumbnail of Live dreamscape file]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Loudspeaker Listening: Tabula Rasa or Augmented Reality. Leonardo Music Journal, 26. pp. 3-6. ISSN 0961-1215
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Rofe, Michael (2016) Online Orchestra - conference paper as part of Network Performance conference, University of Coventry. In: Network Performance Conference, Coventry University. (Unpublished) Item not available from this repository.

Rofe, Michael, Biscoe, Ian, Reeder, Philip and Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2016) Online Orchestra Scalability Study. In: Online Orchestra Scalability Study, 10/11/2016, BSO, Poole, & Jewell Academy, Bournemouth. (Unpublished)
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Särkelä, Janne (2016) Melancholy Paradox (LP). [Project] (In Press) Item not available from this repository.

Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2016) Halloween, Witchcraft and the Power of Spells. [Media] Item not available from this repository.

Hayman, Darren and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2016) Herodsfoot, Cornwall - Thankful Villages #16. [Composition]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.
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Standen, Verity (2016) HUG. [Performance]

Rofe, Michael (2016) Online Orchestra - conference paper at Performance Studies Network, Bath Spa. In: Performance Studies Network Conference, Bath Spa University. Item not available from this repository.

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance] Item availability may be restricted.
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806
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Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED.
[thumbnail of Playback of Exclusive Late Junction Composition of 'Farewell To Grog']
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) Farewell to Grogg. UNSPECIFIED.

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition]

Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition] Item availability may be restricted.
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Rofe, Michael (2016) Online Orchestra - conference paper at York St John University. In: Connect Resound Conference, York St John. (Unpublished) Item not available from this repository.

Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Of This Parish: Creative Placemaking. In: Creative Placemaking, 9 June 2016, The Exchange, Penzance, UK.
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) 'Still Every Year They Went': Studio performance at sea. Performance Research, 21 (2). pp. 79-80. ISSN ISSN 1469-9990 Item availability may be restricted.
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Field of Play:End of the Game. [Exhibition]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) To Intercession. [Exhibition]
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Rofe, Michael (2016) Online Orchestra - conference paper at Network Performance Workshop, Miami. In: Network Performance Workshop, New Symphony Centre, Miami. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at University of Bristol Music Seminar Series. In: University of Bristol Music Seminar Series, University of Bristol. (Unpublished) Item not available from this repository.

Stringer, Gary, Bessant, Jack, Greensmith, Dominic and Wood, Jesse (2016) Reef In St. Ives. [Performance]

Murray, Samuel J ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2016) Paganini and the guitar: tracing instrumental idioms in the 24 caprices for violin. In: Royal Musical Association Research Students’ Conference 2016, 6-8 January 2016, Bangor University. (Unpublished) Item not available from this repository.

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED.
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2015) Future World. [Composition] Item availability may be restricted.
[thumbnail of Audio files for Future World]

Anderson, Carleen (2015) Audio recording and production for Carleen Anderson's Cage Street Memorial. UNSPECIFIED.
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Transient Parish. [Exhibition]
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Arnold, Bram (2015) Notes After A Week of Wandering. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921
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Arnold, Bram (2015) A note on Remoteness. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921
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Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository.

Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada.

Rofe, Michael, Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929, Parker, Will, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian (2015) Online Orchestra. Project Report. UNSPECIFIED.
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Rofe, Michael, Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Reuben, Federico (2015) The Online Orchestra: Connecting Remote Communities through Music. [Performance]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806
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Morgan, Chris (2015) Formal & Non Formal Music Education. In: Count Me In, 15 November 2015, Heartlands, Pool. Item not available from this repository.

Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2015) Reeder, Philip and Lamb, Johny (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished). In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Of This Parish: Project Report and Panel Discussion. In: BEAST FEaST, April 30 - May 3, 2015, Bramall Building, University of Birmingham. Item not available from this repository.

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2015) 289ms Away. [Exhibition]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) Dark Sound: Destructive Pop 2015. [Conference]
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Reeder, Philip (2015) Hayle Churks Music Composition. [Composition]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) The Taxidermist (Thirty Pounds of Bone). [Composition] Item availability may be restricted.
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Ringing the Changes: An Investigation into Sounds and Power. In: Forum Klanglandschaft (FKL) Symposium: Soundscapes and Sound Identities, May 22-24, 2015, Beseno Castle, Italy. (Unpublished)
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Rofe, Michael (2014) Dualisms of Time. Contemporary Music Review, 33 (4). pp. 341-354. ISSN 0749-4467 Item availability may be restricted.
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Arnold, Bram (2014) Resting Places. In: Performing Grief Symposium, October 17th, 2014., Sorbonne, Paris.. (Unpublished)
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2014) Report. [Performance]
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2014) Very Good Plus. In: Musical Materialities, University of Sussex.
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2014) Improvising Themes of Abjection with Maggie Nicols. Performance Research: A Journal of the Performing Arts, 19 (1). pp. 81-90. ISSN 1352-8165 Item availability may be restricted.
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2014) The Vinyl Frontier. In: Pop Life, University of Northampton.
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media]
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Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267
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Reeder, Philip (2014) Chopped and Stretched. [Media]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2013) Chroma: Interactions of Noise. [Exhibition]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2012) Organ of Corti: A Listening Device. Leonardo Music Journal, 22. p. 55. ISSN ISSN: 0961-1215
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Reeder, Philip and Sinclair, Jeanie (2012) The Intangible Archive. Electronic Visualisation and the Arts, 2012. ISSN 978-1-780171-59-3
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Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Moyers, Tim, Coull, Rosalyn and Kuoppala, Visa (2012) Stirring up Pea Stew: A Network Feedback Structure for Live Coding. In: International Conference on Live Interfaces: Performance, Art, Music, September 7-8 2012, University of Leeds, UK.
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Reeder, Philip and Sinclair, Jeanie (2012) Museums And The Web - Conference Item for The Intangible Archive. [Conference]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2012) The Ship's Log. [Composition] Item not available from this repository.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2012) Have Done with the Celtic Phantom. [Composition] Item not available from this repository.

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2010) The Cochlea Unwound: A case study for a listening aid using a sonic crystal. Performance Research, 15 (3). pp. 95-102. ISSN 13528165
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2010) Method. [Composition] Item not available from this repository.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2009) And They Go Down To It In Ships. [Composition] Item not available from this repository.

Reeder, Philip (2007) Whisper. [Media]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2007) A Space for Sound: The Rise, Fall and Fallout of the Concert Hall as a Primary Space for Listening. In: In the Place of Sound. Cambridge Scholars Publishing, Newcastle, pp. 125-134. ISBN 9781847183750 Item not available from this repository.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2006) The Homesick Children of Migrant Mothers. [Composition] Item not available from this repository.

Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2003) Swash: A Case Study. Earshot, 4. pp. 17-21. ISSN 1471-4183
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This list was generated on Sat Dec 14 19:49:06 2024 UTC.