Duck, Charlie ORCID: https://orcid.org/0009-0005-1295-6565 (2023) Elepidote II. [Exhibition] |
Duck, Charlie ORCID: https://orcid.org/0009-0005-1295-6565 (2023) DRY-STONE. DRY-STONE . Edition Demand, Düsseldorf, Germany. ISBN N/A |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2023) Mouse House Presents... Charlie Duck. [Exhibition] |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2023) Clay World. In: Clay World, July 30th 2023, Penrose Estate, Cornwall. |
Emanuele, Ella ORCID: https://orcid.org/0000-0002-0785-6018, Hunter, David ORCID: https://orcid.org/0000-0002-0234-1023, Duer, Zachary ORCID: https://orcid.org/0000-0001-9386-8770 and Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636 (2023) dAnCing LiNes. In: 15th Conference on Creativity and Cognition, 19-21 June 2023, Online. |
Duck, Charlie ORCID: https://orcid.org/0009-0005-1295-6565 (2023) Elepidote. [Exhibition] |
Duck, Charlie ORCID: https://orcid.org/0009-0005-1295-6565 (2023) Exhibition text for Hannah Waldron's Sprinkle Water on the Web" solo exhibition at Galerie Tator. UNSPECIFIED. |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2022) A Manifesto of Sorts. In: A Manifesto of Sorts. Fifth Syllable, Hastings. ISBN 978-1-8383733-2-0 |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2022) Developing Your Creative Practice Arts Council £10,000 Research Award. [Project] |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2022) Two Month Research Residency at Guldagergaard International Ceramic Research Centre, Skælskør, Denmark. [Project] |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2021) The Fountain Show II, Sundy, London. [Exhibition] |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2021) FULL GAS Solo Exhibition, Zona Mista, London. [Exhibition] |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2021) FULL GAS. N/A . Landfill Editions, Falmouth, UK. ISBN 9781637955321 |
Duck, Charlie ORCID: https://orcid.org/0009-0009-2969-6041 (2020) Auto - group exhibition at Zona Mista, London. [Exhibition] |
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2017) FOMO: Falmouth Art Publishing Fair 2017. UNSPECIFIED. |
Graham, Joe (2017) Climate Drawing: The Atmosphere of Time. In: Drawing Conversations 2: Body, Space, Place, 8 Dec 2017, Coventry University. (Submitted) |
Graham, Joe (2017) Nine Drawings: seriality, postphenomenology and the force of time. Journal of Visual Art Practice, 17 (1). ISSN 1470-2029 |
Graham, Joe (2017) Sources of the signal. [Performance] Item not available from this repository. |
Graham, Joe (2017) ANCHORAGE: a phenomenology of outline. Journal for Artistic Research, 2017 (12). ISSN 2235-0225 |
Graham, Joe (2016) Autonomic Drawing: Postphenomenological Research. In: iJADE Conference 2016: Drawing, 18-19 Nov 2016, University of Chester. |
Graham, Joe (2016) The Force of Time: Diagramming Bergson's elan vital. In: 2016 Drawing Research Network Conference: Tracing the Bridge, 5-6 Sept 2016, Loughborough University. |
Graham, Joe (2016) Autonomic Drawing: Postphenomenology and Pedagogy. In: Research Practice Practice Research: 2016 NAFEA Symposium, 15-16 July 2016, The University of Cumbria Institute of the Arts. |
Graham, Joe (2016) Time Lines: Translating the passing of 'now' into line. In: The Bartlett School of Architecture: Drawing Research Seminar No.1, 17.2.16, The Bartlett School of Architecture, UCL, London. |
Paton, David ORCID: https://orcid.org/0000-0002-2790-7687 (2016) Stitch-Split: The Breath of the Geologic. Architecture and Culture, 3 (3). pp. 267-270. ISSN 2050-7828 Item availability may be restricted. |
Graham, Joe (2015) ANCHOR: A Phenomenlogy of the Outline. In: Crossing the Line 3: Global Drawing Symposium, 5-7 Nov, 2015, The SACI Institute, Florence, Italy. |
Anderson, Gemma (2015) Drawing as Epistemology for Morphology. Doctoral thesis, Falmouth University. Item availability may be restricted. |
Arnold, Bram (2015) Notes After A Week of Wandering. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921 |
Arnold, Bram (2015) A note on Remoteness. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921 |
Graham, Joe (2015) ANCHOR. [Artwork] (Submitted) Item not available from this repository. |
Graham, Joe (2015) Kitchen Drawing No.23. [Exhibition] |
Graham, Joe (2014) No Brown Shoes After Six O'Clock. [Exhibition] |
Pullum, Isolde (2014) Sasha. [Exhibition] |
Pullum, Isolde (2014) Top Shell. [Exhibition] |
Pullum, Isolde (2014) Pangolin. [Exhibition] |
Graham, Joe (2014) The Specious Line: Drawing as a method for re-presenting the specious present. In: Crossing the Line 2: Drawing in the Middle East, 12th - 14th September 2014, The American University in Dubai. (Unpublished) |
Graham, Joe (2014) The Specious Line No.42. [Exhibition] |
Graham, Joe (2014) Pardes No.1 - 6. [Exhibition] (Submitted) |
Pullum, Isolde (2014) Pareidolia. In: Falmouth School of Art Drawing Forum, Falmouth University Falmouth Campus. |
Paton, David ORCID: https://orcid.org/0000-0002-2790-7687 and DeSilvey, Caitlin (2014) Growing Granite: The Recombinant Geologies of Sludge. In: Making and Growing: Anthropological Studies of Organims and Artefacts. Anthropological Studies of Creativity and Perception . Taylor & Francis, Farnham, pp. 221-237. ISBN 140943642X Item not available from this repository. |