Items where Division is "Film"

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Kerr, David, Rubanza, Hashim and Thomas, Octavian (2024) Hip-hop Dar es Salaam. [Project] (Unpublished) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Harvey, Simon (2024) The Sound/Image Cinema Lab, Long Way Back (dir. Brett Harvey): developing working principles for crewing feature film production with higher education students. Film Education Journal, 6 (1). pp. 17-29. ISSN 2515-7086

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193. The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15). pp. 45-59. ISSN 17514193 Item availability may be restricted.

Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583 (2024) Unwieldy matter: Liquid landscapes of memory in postdictatorship Chilean film. MIRAJ: Moving Image Review & Art Journal, 12 (2). pp. 189-204. ISSN 2045-6298 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) ‘David Lynch Constrained on Dune’. In: A Critical Companion to David Lynch. A Critical Companion, Directors Series . Lexington Books, Lanham, US. ISBN 978166691 (Submitted) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change' In Cottle, Simon. 2004. Communicating a World-in-Crisis (Peter Lang). In: Communicating a World-in-Crisis. Peter Lang, Oxford. ISBN N/A (Submitted) Item availability may be restricted.

Jones, Rachael (2023) Embodied Landscapes: process and participation in filmmaking. Doctoral thesis, Falmouth University & University of the Arts London.

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Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew (2023) From the Culch: Film. [Project]

Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) The Sound/Image Cinema Lab, Long Way Back. Developing working principles for crewing feature film production with higher education students. Film Education Journal, Educating Independent Filmmakers (7.1). ISSN 2515-7086 (Submitted) Item availability may be restricted.

Padfield, Jerry ORCID: https://orcid.org/0000-0003-2885-2697 (2023) Broadening participation in community radio: investigating methods for inclusion and wellbeing. Doctoral thesis, Falmouth University / University of the Arts London.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman. In: Future Folk: Contemporary Anxieties and Possible Futures. Lexington Books Horror Studies . Lexington Books, Lanham, US. ISBN 978-1-66692-123-6 (In Press)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425. In: Call Me by Your Name: Perspectives on the Film. Intellect, Bristol. ISBN 9781789389425 (In Press) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) WHO MAKES THE HOOD?: THE CITY, COMMUNITY AND CONTEMPORARY FOLK HORROR IN NIA DACOSTA’S CANDYMAN. In: HAUNTED LANDSCAPES 2023: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University. (In Press)

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-). MAI: Feminism and Visual Culture Journal, 10. ISSN 2003-167x

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381. In: The Films of Denis Villeneuve. Refocus Series . Edinburgh University Press, Edinburgh, pp. 178-193. ISBN 9781474497381

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Shaw, Daniel; Marshall, Kingsley and Rocha, James (Eds.). 2022. Philosophical Reflections on Black Mirror. London: Bloomsbury. Bloomsbury, London. ISBN 9781350162167 (In Press) Item availability may be restricted.

Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2022) As Well As/Instead Of Orpheus: Making, Teaching and Living in Grief. Revenant: Critical and Creative Studies of the Supernatural, 8. pp. 348-363. ISSN 2397-8791

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2022) From the River: Beneath the Visible Evidence. [Project]

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2022) Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver. In: Podcast Studies: practice in theory/theory into practice. NA, NA . Wilfrid Laurier University Press, Print Publication. ISBN TBC (In Press) Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2022) Without the filmmaking there is no research: establishing the Sound/Image Cinema Lab via a REF2021 impact case study and exploring the impact of its engagement with UK film production. Media Practice and Education, 23 (2). ISSN 2574-1144

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Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583 (2022) Picturing Ghosts: Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film. Cultural Memories . Peter Lang, Oxford. ISBN 9781800791190

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Marshall, Kingsley. 2022. ‘Introduction: Charlie Brooker’s Artistic Vision’, ‘You Were Never Really Here: Representations of Artificial Intelligence in Black Mirror’ and ‘Conclusion’. In Marshall, Kingsley and Rocha, James (Eds.). 2022. Philosophical Reflections on Black Mirror. London, UK: Bloomsbury. In: Philosophical reflections on Black Mirror. Philosophical redflections . Bloomsbury, London, pp. 114-128. ISBN 9781350162198 Item availability may be restricted.

Myers, Misha and Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246 (2021) Performing Cartographies: Getting inside and beyond the map. In: New Directions in Radical Cartography. Why the Map is Never the Territory. Rowman & Littlefield, Landham, Maryland, US, pp. 209-232. ISBN 9781538147191 Item availability may be restricted.

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 and Arendse, Adrianne (2021) Freeman. UNSPECIFIED.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2021) Intimate Conversations in Cinema's "Elsewhere". Notebook, Issue 1 (1). pp. 92-99. ISSN 2769-7681

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) ‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller. MAI: Feminism and Visual Culture Journal, 7. ISSN 2003-167x

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Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Dean Quarry / with eyes that are not seen are quickly forgotten. [Composition] (Submitted)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen To The Sounds. Music and Screen Media Series . Routledge, London. ISBN 9783030047979

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed). Routledge, London. ISBN 9780367423131 (Submitted) Item availability may be restricted.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2021) No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd. The Quietus, N/A. ISSN N/A

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Developing a Commercial Film Production Ecosystem in Academia with Pedagogy at Its Heart. In: UIIN: Boundary Spanning Champions Online Forum, 2-3 December, 2020, Online Conference.

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2020) Fledglings. UNSPECIFIED. (In Press)

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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2020) Gonis Media Kernewek Cornish Media Service Update. In: Cornish Language Forum, 07.11.20, Zoom. (Unpublished)

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA

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Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246 (2020) Deep Map App Reference Tool. Living Maps Network Journal, 9 (Nov 20). ISSN 9781538147191

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2020) Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books. In: A Critical Companion to Robert Zemeckis. Critical Companions to Popular Directors . Lexington Books, Lanham, US, pp. 75-89. ISBN 9781793623454 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Once Upon A Dream. Beneficial Shock, NA (5). pp. 50-55. ISSN 2399-5173

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Film production and the intersection of technology, education and culture in a post-COVID-19 climate // A Conversation between Dr Neil Fox (Falmouth University) and Freya Billington (UWE). Digital Culture & Education, NA. ISSN 1836-8301

Farmer, Paul (2020) Diary in the Plague Year: Roaming the lockdown in images and words in a year like no other. Independent Publishing Network, Stithians, Cornwall. ISBN 978-1-83853-382-3

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) “You Talkin’ To Me?” - Returning to Conversation,. Doing Arts Research In A Pandemic, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Self-Isolation Soundtrack: The Music of If Beale Street Could Talk. The Big Picture, NA. ISSN NA

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Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2020) European Cinema in the Twenty-First Century. Palgrave Macmillan, United Kingdom. ISBN 978-3-030-33436-9 (Submitted) Item availability may be restricted.

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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2020) Gonis Media Kernewek Development Report 30042020. Project Report. UNSPECIFIED. (Unpublished)

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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Berry, Mandy (2020) Kas Rag Media Gonis Poblek Kernewek A Case for Cornish Public Service Media. Project Report. UNSPECIFIED.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) In The Driver's Seat: The Demented Fun of ByNWR. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Nicolas Winding Refn on Night Tide and the importance of extreme cinema. Little White Lies, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA

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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Browne, Florence, Moseley, Rachel and Berry, Mandy (2019) Ragdres Hwithrans Darlesor Gonis Poblek Kernewek Cornish Public Service Broadcaster Research Project. Other. Cornwall Council.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Double Feature: Speed (1994) and Paterson (2016). The Big Picture, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Collection-making: Podcasting as a contemporary curation practice. In: MeCCSA 2020, 8-10 January 2020, University of Brighton.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019). [Composition]

Bailey, Adrian, Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925, Byers, Kate, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Waite, Linn (2019) Hard, Cracked the Wind. [Media] Item availability may be restricted.

Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925 (2019) Bait. [Media]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) 4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales. The Quietus, NA. ISSN NA

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy (2019) MAI Feminism & Visual Culture Issue 3 (Spring 2019). [Journal]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Annesley, Angela and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Making Strange: Adapting H. P. Lovecraft for the Screen. In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) MAI In Conversation with Lynn Shelton. MAI: Feminism and Visual Culture, 3 (3). ISSN 2003-1673

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Music as a source of narrative information in HBO's Westworld. In: Reading Westworld. Palgrave Macmillan, London, pp. 97-118. ISBN 978-3-030-14514-9 (In Press) Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin. The Quietus, NA. ISSN NA

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare. In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Backwoods (Dir. Ryan Mackfall, 2019) - Short Film. [Media] Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Nothing Is Trite: PJ Harvey in A Dog Called Money. The Quietus, NA (NA). ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The King of Philadelphia: Teddy Pendergrass on Film. The Quietus, NA (NA). ISSN NA

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, New York, pp. 269-280. ISBN 978-3-03-004797-9

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) "We Were Not The Part": Pondering the Importance of The Go-Betweens. Directors Notes, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA

Berry, Mandy, Towell, Patrick and Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) Cinegi Arts&Film, a Case Study: how it worked and what we learned. Project Report. Arts Council England, UK.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press)

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Stupid Things Are Best”: Conny Plank – The Potential of Noise. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Podcasting: New Aural Cultures and Digital Media. Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551. ISBN 978-3-319-90055-1 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Interview with Richard Herring. In: Podcasting: New Aural Cultures and Digital Media. Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551, pp. 299-308. ISBN 978-3-319-90055-1

Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2018) The "Smart" Teen Film: Identity Crisis, Nostalgia and the Teenage Viewpoint. In: Rethinking Genre in Contemporary Global Cinema. Palgrave Macmillan, New York, NY, pp. 121-133. ISBN 978-3-319-90133-6

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) ‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative. Media Practice and Education, 19 (2). pp. 205-221. ISSN 2574-1144

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods. Directors Notes, N/A.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Screengem: The Dude’s Ralphs card in The Big Lebowski. The Big Picture, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Together Alone. Beneficial Shock, 1 (3). pp. 67-72. ISSN 2399-5173

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Why Sofia Coppola’s misunderstood drama is ripe for reappraisal. The Big Picture, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario (2018) Cinematologists: Knowing Sounds. Media Practice and Education, 19 (1). pp. 48-51. ISSN 2574-1144

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) The lessons we have learnt: how sexism in American politics sparked off the new feminist renaissance. MAI: Feminism & Visual Culture, 1 (1). ISSN 2003-1671

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Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 (2018) BEST KEPT SECRET: Fantasy is a great way to explore reality. In: GEECT conference Teaching Documentary II, 26-29 April 2018, Bolzano, Italy. (Unpublished)

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) An Interview With Caroline Richards. Directors Notes, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) MAI in conversation with Hope Dickson Leach. MAI: Feminism and Visual Culture, 1 (1). ISSN 20031671

Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2018) Irish Production Culture and Women Producers: Nicky Gogan. In: Trailblazing Women On and Off Screen International Conference, June 18-20 2018, Greenwich, London. (Unpublished)

Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 (2018) “I am really glad and privileged that I shared my shit with you”. Storytelling for Refuge, Storytelling As Refuge. In: Storytelling for Refuge, Storytelling As Refuge, 12th Annual Storytelling Symposium of the George Ewart Evans Centre for Storytelling, University of South Wales, 6-7th April 2018, 6-7 April 2018, University of South Wales.

Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) FylmK. Working Paper. UNSPECIFIED. (Unpublished) Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Final Cut: Here To Be Heard Puts The Slits On Film. The Quietus, Rolling. ISSN N/A

Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) The hills are alive… with event cinema. Arts Professional, The arts in rural areas (311).

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music & The Moving Image, 27 May 2018, NYU, New York.

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) FEMINISTS UNDER COMMUNISM? Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Doing Women’s Film and Television History IV: Calling the Shots – Then, Now, and Next (Academic Conference), 23-25 May 2018, University of Southampton, Southampton, UK.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound and Music Use in Twin Peaks: The Return. In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) From Visceral Style to Discourse of Resistance: Reading Alka Sadat’s Afghan Documentaries on Violence Against Women. In: Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism. Edinburgh University Press, Edinurgh, pp. 137-155. ISBN 9781474419475

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Bielak, Anna (2017) ORDERY NA POPLAMIONYCH SUKNIACH: ROZMOWA Z ANNĄ MISIAK. dwutygodnik.com, 224. ISSN 2299-8128

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days. Directors Notes, Rolling. ISSN N/A

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga (2017) Woman under Communism: Rozmowa z Anna Misiak. Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3). pp. 42-46. ISSN 2081-4178

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna (2017) MAI: Feminism & Visual Culture. [Journal]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) ‘Where Next? Envisioning a Layered and Cohesive Future for Academic/Industry Media Projects. In: Journal of Media Practice and MeCCSA Practice Network Annual Symposium: ‘Practice and/as media industry research’, June 8 2017, Bath Spa University.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2017) Women & Film Under Communism: A Report from the Archive. [Website] Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed. The Quietus, Rolling. ISSN N/A

Morris, David (2017) After The Sewol. [Media] (In Press)

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) 'Wilderness'. [Media]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014. Journal of Italian Cinema & Media Studies, 5 (2). pp. 267-271. ISSN 2047-7368

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2017) The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina. Item availability may be restricted.

Sullivan, Steve (2017) Being Frank: The Chris Sievey Story (Story consultant). [Media] (Unpublished)

Boljkovac, Nadine and Berressem, Hanjo, eds. (2017) Against Nature: Herzog’s Cinema. Bloomsbury, New York. ISBN TBD (In Press) Item not available from this repository.

Mackie, Mel (2016) RTS Student Networking Event: Breaking Into Media 2016. [Conference]

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario (2016) Knowing Sounds: Podcasting As Academic Practice. Journal Of Media Practice, Disruptive Media Special Edition. ISSN 2040-0926

Morris, David and Weinstein, Jonathan (2016) Guest Lecture at NYU TISCH. In: David Morris Guest Talk, 30/10/2016, TISCH, NYU, New York City, New York, USA.. (Unpublished) Item not available from this repository.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Black Stars: Belafonte, Poitier and a Long Overdue Celebration of Black Cinema. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Four Frames: Best In Show (Christopher Guest, 2000). The Big Picture, N/A. ISSN N/A

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.

Morris, David (2016) O Outro Lado do Cartão-Postal (The Other Side of the Postcard). [Media]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Death Foretold is Not Death. Directors Notes, N/A. ISSN N/A Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Lost Classic: Black Orpheus (Marcel Camus, 1959). The Big Picture, N/A. ISSN N/A

Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X (2016) Katja Riemann Intro_KCL Event_Verena von Eicken. In: An Evening with Katja Riemann, 17 May 2016, King's College London. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Landscape, Metaphors and Self-Distribution: The Tale of Brett & Simon Harvey’s ‘Brown Willy’. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) It is where you’re from: Re-negotiating the role of place in Hip Hop through documentary. In: International Hip Hop Studies Conference, 23-25 June, 2016, University of Cambridge, Cambridge, UK. Item availability may be restricted.

Brandenburg, Heidi, Orzel, Mathew and Akbar, Taira (2016) When Two Worlds Collide (Story consultant). [Media]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Screengem: General Mireau’s Sofa in Paths of Glory (Stanley Kubrick, 1957). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) “Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post]. [Website Content]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Head Music: Stop Making Sense Reassessed. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: how Awesome; I Fuckin' Shot That! Foresaw Changes in the Live Concert Experience brought about by Social Media and Digital Technology. In: The Arena Concert: Music, Media and Mass Entertainment. Bloomsbury, London, pp. 207-218. ISBN 978-1-6289-2555-5 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Four Frames: The Immigrant (James Gray, 2014). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) #Noirvember: The Theming of Cinema & the End of Criticism. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Coffee & Celluloid: In Conversation with Bronco’s House Director Mark Jenkin. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Lost Classic: A Serious Man (Joel & Ethan Coen, 2009). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Paths to the Pantheon: Using the Education of Successful Filmmakers to Shape Film Education. In: MECCSA 2016, 6-8 January, 2016, Canterbury Christchurch University, Kent, UK. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) “I’m a Proponent of Change”: Penelope Spheeris and The Decline Of Western Civilization. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) A Mirror To Nature: Genius, Disaster and the Legacies of Orson Welles. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Listen Up Philistines: Alex Ross Perry Interviewed. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Lost Classic: Prince Avalanche (David Gordon Green, 2013). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Screengem: Telephones in Rififi (Jules Dassin, 1955). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Classrooms without teachers and film without borders: proactively responding to digital disruption in film education. In: Media Education Summit, 20-21 November, 2015, Emerson College, Boston, USA. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Four Frames: There Will Be Blood (Paul Thomas Anderson, 2007). The Big Picture, N/A. ISSN N/A

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2015) Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd. Short Film Studies, 5 (1). pp. 21-25. ISSN 20427824

Morris, Christopher ORCID: https://orcid.org/0000-0001-6138-0324 (2015) Fog of Sex. UNSPECIFIED. UNSPECIFIED. Item availability may be restricted.

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Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 and Sweeney, Sheamus (2015) Not Your Feminist Daddy. In: Console-ing Passions International Conference on Television, Video, Audio, New Media and Feminism, June 18-20 2015, Cornwall. (Unpublished) Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Llinares, Dario and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2015) The Cinematologists. UNSPECIFIED. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: How Awesome; I Fuckin’ Shot That! Foresaw changes in the live concert experience brought about by digital technology and social media. In: Popular Music and the Public Sphere, April 10, 2016, University of Chester, Chester, UK. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Sex and Paranoia – Movies, Satire and the brinks of War. The Big Picture, N/A. ISSN N/A

Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449

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Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Four Frames: The Royal Tenenbaums (Wes Anderson, 2001). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) On Location: Manchester. In: Directory of World Cinema: Britain 2. Directory of World Cinema . Intellect, Bristol, pp. 32-39. ISBN 978-1-78320-397-0 Item availability may be restricted.

Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 (2014) The Essence of Agatha Christie. [Media]

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Juxebox Jarmusch: Jim at the Intersection of Music and Cinema. Directors Notes, N/A. ISSN N/A

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2014) WORLD DOCUMENTARY CONFERENCE FALMOUTH UNIVERSITY 2014. [Conference]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) New Joys: The Wonder Of Kelly Reichardt. Directors Notes, N/A. ISSN N/A

Misiak, Anna (2014) The Unstable Epistemological Territory of Roman Polanski's Cinema. Studies in Eastern European Cinema, 5 (2). pp. 211-213. ISSN ISSN: 2040-350X (Print) Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Richard Lester Discusses A Hard Day's Night. Clash Magazine, N/A. ISSN N/A

Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 and Sheers, Owen (2014) Mametz. [Performance]

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Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X (2014) Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'. New Cinemas, 12 (1+2). pp. 76-96. ISSN 14742756

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) “There’s an Event Going on in There” – For No Good Reason: A Documentary About Ralph Steadman. Directors Notes, N/A. ISSN N/A

Goch, Dylan, Rhys, Gruff and Ramasut, Catrin (2014) American Interior (Story consultant). [Media]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) We merely get in their way: The fierce chemistry of Herzog and Kinski. The Big Picture, N/A. ISSN N/A

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2014) Gazing at the 'World without Women': Female Documentary Filmmakers in Socialist Poland. In: Dokumentarny film v krajinach V4/ Documentary film in V4 countries. Vysoka skola muzickych umeni, Bratislava, pp. 56-77. ISBN 978-80-89439-65-2 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2013) On Location: Macclesfield in Control (Anton Corbijn, 2007). The Big Picture, N/A. ISSN N/A

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2013) Stone/Dubya: The Improbable President. In: The Films of Oliver Stone Conference, November 2013, Rider University, Princeton, New Jersey. (Unpublished)

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2013) Review: 'A Social History of Iranian Cinema, Vol.4: The Globalizing Era, 1984-2010'. Transnational Cinemas, 4 (2). ISSN Print ISSN: 2040-3526 Online ISSN: 2040-3534

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2011) Oliver Stone's Improbable W. In: Presidents in the Movies: American History and Politics on Screen. Palgrave Macmillan, London. ISBN 978-0230113282 Item not available from this repository.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305, Shear, Tim and Truran, Chris (2009) AltDiss: Creativity, Reflection and TV Production Practice. Media Education Research Journal, 1 (1). pp. 79-84. ISSN 2040-4530 Item not available from this repository.

Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2007) Rural Revolution through Digital Media. In: Inclusion Through Media. Goldsmiths / OpenMute, UK, pp. 220-235. ISBN 1906496005

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Peters, Camilla Filmmaker Margaret Tait: A Woman’s Voice in Context. Doctoral thesis, Falmouth University and University of the Arts London. Item availability may be restricted.